The reverse-painted glass bas-reliefs are initially created
by slumping glass, up to three layers thick, over
sculptural forms in a large kiln. After firing, the work is
painted on the back surface of the glass using a unique
sedimentation process involving powdered semiprecious
metals, titanium and mica and rare pigments. This process
is a re-creation of the natural earth processes, which
occur in the flooding of dry lakebeds, and subsequent
sedimentation, evaporation and desiccation.
“My inspiration is derived from ancient and
modern cultures and their interaction with the natural
forces eternally shaping the land. I have channeled time
into a waterfall, pouring its clear crystalline water over
the layers of life. The earth process of layering plays an
integral part in creating soil for the growth of seeds and
also sedimentary strata containing geologic records that go
back to the origins of the earth. The work explores this
phenomenon through diverse forms and textures in a surreal
setting deep within the earth’s layers. Numerous
elements appear to be in cross section beckoning further
examination. They are open, exposed possessing a certain
vulnerability, yet protected by a crystalline outer layer.
Each work offers a unique glimpse into the layers of earth
long ago buried by time. We are reminded of the dichotomy
of man’s existence…his late arrival in
geologic time, yet his powerful ability to leave a great
mark in so short a time.”
Originally from Argentina, Gabaldo moved to Los Angeles,
eventually earning degrees in Fine Arts and Geology from
the University of Southern California. She has lived and
worked in Taos since 1991. Gabaldo is on the Taos Institute
of Art faculty, and has had many national and international
exhibitions. Her work is in numerous public and private
collections, including Museo del Vidrio, Monterrey, Mexico.